I’m making the switch from Adobe Media Encoder CS6 to Adobe Media Encoder CC. Like most producers, I’ve got a range of presets I want to move over to the new version without having to re-create them.
FMLE can stream in both VP6 and H.264 formats; I think H.264 is the better choice at this point. Adobe supplies multiple templates for each format in the presets list box (Figure 5, below), which may ...
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